Saigoku 33 Kannon Pilgrimage -----The Oldest 33 Kannon Pilgrimage in Japan-----

     In 718, Priest Tokudo, the founder of Hase-dera Temple, died.  At the entrance of the netherworld, he met the great king of the Buddhist Hades.  The king had a kind of triage crisis and complained that he had to sort too many people into the hell.  “Japan has 33 Avalokitesvara precincts.  People there can reduce their penalty points by going on a pilgrimage to the precincts.”  Thus he gave Tokudo a written pledge and 33 precious seals, and sent him back to the world.  Tokudo chose 33 precincts and advised people to visit them.  People, however, didn’t believe it (as a matter of course), and the pilgrimage didn’t become popular.  He stored the seals up in a stone case in Nakayama-dera Temple.  He died at the age of 80, and the pilgrimage got forgotten.  This time, what conversation did he have with the king?

     One day, Emperor Kazan (968-1008) was shutting himself up in Mt. Nachi, Kishu Province, after his abdication in 986.  The god of Kumano appeared in his dream, and advised him to revive the pilgrimage Priest Tokudo had organized.  The emperor found the 33 seals in Nakayama-dera Temple, asked Priest Shoku (910-1007) in Enkyo-ji Temple to cooperate.  The priest recommended Priest Butsugen in Eifuku-ji Temple instead.  With Butsugen’s guide, the retired emperor went on the pilgrimage to the 33 precincts, and even composed a tanka poem for each temple.  That was the start of go-eika, Japanese tanka poem chants for pilgrims.

     Why had the great king of the Buddhist Hades mentioned the number 33?

     According to Lotus Sutra Chapter XXV, Avalokitesvara, to save people, manifest herself/himself/itself: #1 into the form of a buddha, #2 into the form of a pratyekabuddha, #3 into the form of a sravaka, #4 into the form of Brahma, #5 into the form of Sakra, #6 into the form of isvara, #7 into the form of Mahesvara, #8 into the form of the great commander of the devas, #9 into the form of Vaisravana, #10 into the form of a minor king, #11 into the form of a wealthy man, #12 into the form of a householder, #13 into the form of a state official, #14 into the form of a brahman, #15 into the form of a monk, #16 into the form of a nun, #17 into the form of a layman, #18 into the form of a  laywoman, #19 into the form of a wife of a wealthy man, #20 into the form of a wife of a householder, #21 into the form of a wife of a state official, #22 into the form of a wife of a brahman, #23 into the form of a boy, #24 into the form of a girl, #25 into the form of a deva, #26 into the form of naga, #27 into the form of yaksa, #28 into the form of gandharva, #29 into the form of asura, #30 into the form of garuda, #31 into the form of kimnara, #32 into the form of mahoraga, or #33 into the form of Vajrapani.  

Many of the forms, or manifestations, are an enumeration of occupations at the time of Buddha.  Thus most of the 33 manifestations haven't been carved into Buddhism statues or painted in Buddhism pictures in Japan.  Instead, the number 33 came to mean more to Avalokitesvara believers in Japan.  The great king of the Buddhist Hades must have been familiar with the local conditions in Japan.

     Every 33 Kannnon pilgrimage has 33 temples, but has only "six types" of Avalokitesvara statues: 1) Arya Avalokitesvara, who is the human-figure prototype of other 6 metamorphoses, 2) Ekadasamukha, who has 11 faces, 3) Sahasrabhuja, who has 1,000 arms, 4) Cintamanicakra, who usually has 6 arms and holds chintamani (a wish-fulfilling jewel) in one of the six, 5) Hayagriva , who has the head of a horse, 6) Cundi, who has 16 arms and appears to be female, and, 7) Amoghapasa, who usually has 3 eyes and 8 arms.

     Oh, we have 7 types of them.  Why did I say “six types" then?

     The Shingon Sect Buddhists assert that the last one should be Cundi, while the Tendai Sect Buddhists maintain that it should be Amoghapasa.  They all believe that Arya Avalokitesvara can metamorphose into 5, and that they can carve 6 types of Avalokitesvara statues in total.  All in all, we can find 7 types of Avalokitesvara statues in Japan.

     Do we meet just “six types" of Kannon statues in Japan today?  As the number 33 has come to mean more to Avalokitesvara believers in Japan, we can find more types of Kannon statues in Japan today.

     Tosa Hidenobu (?-?) published Butsuzo-zui (Illustrated Compendium of Buddhist Images) in 1783.  In the compendium, he listed 33 popular subjects of Buddhism Avalokitesvara drawings and paintings: #1 Holding-Willow-Spray Avalokitesvar, #2 Naga Avalokitesvar, #3 Holding-Buddhism-Scripture Avalokitesvar, #4 Halo Avalokitesvar, #5 Sitting-on-Cloud Avalokitesvar, #6 Pandara Vasini Avalokitesvar, #7 Sitting-on-Lotus-leaf Avalokitesvar, #8 Looking-at-Cascade Avalokitesvar, #9 Listening-to-Stream Avalokitesvar, #10 Holding-Fish-Cage Avalokitesvar, #11 Virtuous-Lord Avalokitesvar, #12 Looking-at-Reflected-Moon Avalokitesvar, #13 Sitting-on-Leaf Avalokitesvar, #14 Blue-Head Avalokitesvar, #15 Great-Commander Avalokitesvar, #16 Life-Prolonging Avalokitesvar, #17 Relief-from-Ruination Avalokitesvar, #18 In-Cave-with-Venom Avalokitesvar, #19 Wave-Reduction Avalokitesvar, #20 Anavatapta Avalokitesvar, #21 One-Knee-Drawn-Up Avalokitesvar, #22 Leaf-RobeAvalokitesvar, #23 Holding-Lapis-Lazuli-Censer Avalokitesvar, #24 Tara Avalokitesvar, #25 Sit-in-in-Clam Avalokitesvar, #26 Twenty-Four-Hour Avalokitesvar, #27 Universal-Benevolence Avalokitesvar, #28 Celestial Beauty Avalokitesvar, #29 Putting-Palms-together Avalokitesvar, #30 Controlling-Thunderbolt Avalokitesvar, #31 Peaceful-Vajrapani Avalokitesvar, #32 Holding-Lotus-Flower Avalokitesvar, and #33 Sprinkling-Purified-Water Avalokitesvar.  Some subjects came directly from Lotus Supra Chapter XXV, some were based on folklore in China, and others were created in Japan.  He put stronger emphasis on the number 33, and might have considered the 33 subjects to be artistically more meaningful manifestations of Avalokitesvara, at least in Japan.

     If a temple has a Kannon statue other than the above-mentioned “six types", it followed Hidenobu’s idea when it made its Avalokitesvara statue.